The Times of India
Story:Manu (R Madhavan)is a sad and serious NRI doctor in London who comes looking for a bride in India. He flips for a sozzled small town girl, Tanu (Kangna Ranaut) who lives with her extended family in Kanpur. But there's a hitch. Tanu loves a goonda from Lucknow and threatens Manu with dire consequences if he doesn't say No to the wedding. Poor Manu! He not only says No but tries his best to get his dream girl marry her boyfriend.
Tanu Weds Manu is a striking sense of familiarity. It wasn't long before you saw Shahid Kapoor playing a similar sacrificial lover to Kareena Kapoor in Jab We Met. And like poor Kareena, who tries too sort out her confused emotions against the backdrop of the big fat Punjabi wedding, Tanu too must decide who is better husband material, first amidst the hustle bustle of her best friend's boisterous going-balle-balle baraat and then at her chaotic Kanpuria community haveli.
But the deja vu doesn't last long. For despite the predictable -and paper thin -storyline, the film manages to hook you with its sheer atmospherics. The director creates an extremely busy and colourful canvas brimming with characters who are anything but cardboard cut-outs. If Madhavan fleshes out a heart-tugging, oh-so-lonely and acutely desi NRI, winning you over with his shy smiles and well-mannered chutzpah, then Kangna Ranaut's wild cat rebel is endearing too. The Friends Inc also pitches in an inspired act with the groom's best buddies Deepak Dobriyal and Eijaz Khan adding fun and games to the raucous proceedings. On the bride's side, it is the spunky Payal (Swara Bhaskar) who infuses verve, even while emerging as Kangna's counsel and guide. As for Jimmy Sheirgill, must we reiterate: Give him a role, guys; he's good! In fact, the highpoint of Tanu weds Manu is not so much the confused romance between Madhavan and Kangana. Instead, it is the `bromance' (dosti-dushmani) between Madhavan and Jimmy that grabs eyeballs with its volcanic undercurrents, which alas, are too few and far between.
And then come the sundry cityscapes.... Tanu Weds Manu lives more through its psychedelic backdrop than its drama. The film maker along with his cinematographer (Chirantan Das) and music director (Krsna) captures mofussil India with all its bustling beauty. Kanpur, with its overriding chaos and its criss-cross alleys almost begins to breathe on screen, even as the great Indian family emerges as one helluva character in one more desi paean to the joint parivaar.
Fun while it lasts, Tanu Weds Manu throws up Bollywood's newest obsession -- small town girls and their gunas (values) -- once again. A meatier storyline and a less messed up climax would have worked wonders for the film.
Story:Manu (R Madhavan)is a sad and serious NRI doctor in London who comes looking for a bride in India. He flips for a sozzled small town girl, Tanu (Kangna Ranaut) who lives with her extended family in Kanpur. But there's a hitch. Tanu loves a goonda from Lucknow and threatens Manu with dire consequences if he doesn't say No to the wedding. Poor Manu! He not only says No but tries his best to get his dream girl marry her boyfriend.
Tanu Weds Manu is a striking sense of familiarity. It wasn't long before you saw Shahid Kapoor playing a similar sacrificial lover to Kareena Kapoor in Jab We Met. And like poor Kareena, who tries too sort out her confused emotions against the backdrop of the big fat Punjabi wedding, Tanu too must decide who is better husband material, first amidst the hustle bustle of her best friend's boisterous going-balle-balle baraat and then at her chaotic Kanpuria community haveli.
But the deja vu doesn't last long. For despite the predictable -and paper thin -storyline, the film manages to hook you with its sheer atmospherics. The director creates an extremely busy and colourful canvas brimming with characters who are anything but cardboard cut-outs. If Madhavan fleshes out a heart-tugging, oh-so-lonely and acutely desi NRI, winning you over with his shy smiles and well-mannered chutzpah, then Kangna Ranaut's wild cat rebel is endearing too. The Friends Inc also pitches in an inspired act with the groom's best buddies Deepak Dobriyal and Eijaz Khan adding fun and games to the raucous proceedings. On the bride's side, it is the spunky Payal (Swara Bhaskar) who infuses verve, even while emerging as Kangna's counsel and guide. As for Jimmy Sheirgill, must we reiterate: Give him a role, guys; he's good! In fact, the highpoint of Tanu weds Manu is not so much the confused romance between Madhavan and Kangana. Instead, it is the `bromance' (dosti-dushmani) between Madhavan and Jimmy that grabs eyeballs with its volcanic undercurrents, which alas, are too few and far between.
And then come the sundry cityscapes.... Tanu Weds Manu lives more through its psychedelic backdrop than its drama. The film maker along with his cinematographer (Chirantan Das) and music director (Krsna) captures mofussil India with all its bustling beauty. Kanpur, with its overriding chaos and its criss-cross alleys almost begins to breathe on screen, even as the great Indian family emerges as one helluva character in one more desi paean to the joint parivaar.
Fun while it lasts, Tanu Weds Manu throws up Bollywood's newest obsession -- small town girls and their gunas (values) -- once again. A meatier storyline and a less messed up climax would have worked wonders for the film.
